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- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- An Absence of PartisanshipReview1 May 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- About Face: Asian-Australians at HomeEssay1 May 2002
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Two Bibliographies : Hal Porter and Patrick WhiteEssay1 October 1967