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- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- D. H. Lawrence’s AustraliaEssay1 October 1970
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Towards the Source of ‘The Wanderer’Essay1 October 1979
- Review by Martin DuwellReview1 May 1991