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- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- The Tennysons in Literary AdelaideEssay31 October 2015
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007