Your search for “brilliant” found 283 results
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- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Reading Carey Reading MalleyEssay1 October 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016