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‘Things are Cast Adrift’: Brian Castro’s Fiction

An Interview with Thomas Shapcott

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Towards a History of Literary Programming on ABC Radio

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Henry Lawson: The New Zealand Visits

Colonial Violence and Forgotten Fiction

Coetzee’s Womanizing

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Means and Ends in Writing

Patrick White’s Four Plays

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism