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- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- What is Australian Popular Fiction?Essay3 December 2018
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Review of Letters of Norman LindsayReview1 October 1979
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- David Malouf and the Language of ExileEssay1 October 1982
- Australian Bards and British ReviewersEssay1 May 1975