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- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Alien Intoxications: The Aggressions of a Brisbane Opium SmokerEssay1 June 2012
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012