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- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Review of *Marcus Clarke's Bohemia* by Andrew McCannReview1 May 2006
- Review of *The Convict Theatres of Early Australia 1788-1840*, by Robert JordanReview1 May 2005
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin DuwellReview1 May 1983
- Three Talks : David Malouf, Les Murray and David Rowbotham : David MaloufEssay1 May 1984
- Hal Porter: A ProfileEssay1 October 1975
- Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral LansburyReview1 May 1972
- Emerson and Charles HarpurEssay1 May 1973
- The Getting of Wisdom : Not ‘Merry’ at AllEssay1 May 1977
- Bringing Franklin Up to Date: The Film of *My Brilliant Career*Essay1 May 1980
- Writers by Accident?: Recent Stocktaking of ‘Tasma’ and PatersonReview1 October 1995
- James Lester Burke, Martin Cash and Frank the PoetEssay1 May 1992
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- When ‘History Changes Who We Were’Review1 November 2008
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Means and Ends in WritingEssay1 October 1979
- Havelock Ellis’s Australian IdyllEssay1 June 1967